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Any tube amp player should be aware of the importance of dialing in the sweet spot to achieve sustaining harmonics, tube distortion, rectifier sag and transformer sag, aka. So how do you achieve all this with specific amp not beeing too loud, too low, too muddy, too clean or too brittle? New peace of gear rarely brings anything new to the table. You want something else, either less, more or differently out of your amp and you don’t want to buy another amp.You need the knowledge to tweak your favorite amps to better suit your needs. Man will never stop coming up with ideas and rationale for why he constantly needs to aquire more gear. For many players it’s more affordable to mod than to buy something else.For 0 you can get an amp combo that sounds even better than the bassman. This is a buttery smooth amp that breaks up nicely and resists feedback. Gibson GA90 – I am told this is one of Kim Wilson’s favorites.
I have a Valco National that has the exact same circuitry as a tweed champ.
At one gig at a corporate party in a 150 seat club, a friend of the band stepped in for our drummer for a couple of songs, starting with Jimi’s version of All along the watchtower.
Our friend drummer happens to be twice as loud and we couldn’t practically hear anything on stage except mr.
We consider these amps the most versatile, robust and best sounding Fender amps.
They are simple and basic point-to-point wired amps with built-in reverb and tremolo.