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One acquaintance told me in wonderment that Chinese women are great in the bedroom – as if I wasn't one – to being casually asked if I’d be interested in a guy “who has been with Chinese girls and likes it”.
I’ve been left puzzled by the insensitivity, and the lack of awareness that such comments may cause offence.
Aowen Jin, a 36-year-old British Chinese artist, thinks that cultural differences, such as the inability “to say no”, are often misconstrued by westerners as agreeableness, or even misinterpreted by western men as a sign of romantic interest.
The stereotyping plays itself out in the roles you see Chinese women playing in theatre, on TV or in films.
In Britain, while significant rates of intermarriage between the Chinese and white Caucasian population have demonstrated social integration, the trend is nevertheless heavily skewed towards Chinese women and white men, rather than the other way around.
Part of the bias is down to aesthetics, it would appear, as a study by Cardiff University in 2012 on facial attractiveness showed that East Asian women scored highest, while East Asian men came bottom of the pile (interestingly, results for black and white individuals did not show discernible differences based on gender).
Furthermore, stereotypes around timidness, not being outspoken or politically active also mean people can make such comments with no backlash, she says.
Certainly, the idea of the “passive” Chinese is a well-known, but an increasingly misguided view – particularly given the meteoric rise of China and its achievements in women’s education.